Film monitors (analog SD)

User-friendly: the digital keypad accesses to electronic menus, while manual potentiometers provide quick adjustments of basic screen settings.
It features three Composite video in, a straight video out and a Video-out Processed. If the monitor is set in 16/9 the video out processed will be 16/9. This processed signal can be fed to other monitors, recorders or transmitters.
The 6" Cinemonitor™ III also accepts the higher quality Y/C input available on modern Arriflex® video-assists.

With its very wide viewing angles and high contrast ratio it is designed to operate in full sunlight without hood. For extremely bright environment with a lot of reflected light (snow,sea, etc ...).
The Starlite monitor is manufactured according to Transvideo’s unmatched quality standards. The aluminium anti-vibrationhousing and protective glass ensure continuous operation in the most challenging environments

Thanks to its extremely compact design, the 4" Starlite™ fits small body-rigs and light camera systems.It is so light and small it can be velcroed anywhere. With its very wide viewing angles and high contrast ratio it is designed to operate in full sunlight without hood. For extremely bright environment with a lot of reflected light (snow,sea, etc ...).
The Starlite Color monitor is manufactured according to Transvideo’s unmatched quality standards. The aluminium anti-vibrationhousing and protective glass ensure continuous operation in the most challenging environments

The image can be displayed in Full, Broadcast or Under-Scan Modes.
With a built-in 16/9 Format Converter, the 5" Rainbow II™ can be switched between 4:3 and 16/9. With the Anamorphic option added the monitor can be switched between 4:3, 16/9 and Anamorphic.

The 5" Rainbow II™ offers a Processed Video Out: if the monitor is set in 16/9 the output will also be 16/9. This processed signal can be fed to other monitors, recorders or transmitters. A traditional straight Video Output (unprocessed signal) is also available.